1. When comparing the research of each film festival, I found that most entry fees/deadlines correlating with each other. However, there were a few instances where the entry fee increased or decreased depending on whether the film was a short or feature length. I also found that most of the festivals had at least SOME kind of category for student filmmakers, or at least a section of the festival geared toward young filmmakers, even as young as nine. Another interesting facet was the incentives for local/regional filmmakers or filmmakers within the state, whether it a discounted or non-existent fee. Indie Grit even limits their programming to films produced by filmmakers who live or have ties to the southeast.
2. Sponsor ideas ranged from Fuzzy Peach to larger sponsors such as PBS--Christian gave great feedback ideas in his research of the True/False Festival. I also gave some feedback based on the Austin Film Festival, as I noticed they have many local radio stations/state organizations as sponsors.
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